Mountain Top PA
2009

Henry David Thoreau
Autumnal Tints
The Atlantic Monthly (October 1862)

Europeans coming to America are surprised by the brilliancy of our autumnal foliage. There is no account of such a phenomenon in English poetry, because the trees acquire but few bright colors there. The most that Thomson says on this subject in his "Autumn" is contained in the lines,—

But see the fading many-colored woods,
Shade deepening over shade, the country round
Imbrown; a crowded umbrage, dusk and dun,
Of every hue, from wan declining green to sooty dark:—

and the line in which he speaks of

Autumn beaming o’er the yellow woods.

The autumnal change of our woods has not made a deep impression on our own literature yet. October has hardly tinged our poetry.

I formerly thought that it would be worth the while to get a specimen leaf from each changing tree, shrub, and herbaceous plant, when it had acquired its brightest characteristic color, in its transition from the green to the brown state, outline it, and copy its color exactly, with paint, in a book, which should be entitled, "October, or Autumnal Tints";—beginning with the earliest reddening,—Woodbine and the lake of radical leaves, and coming down through the Maples, Hickories, and Sumacs, and many beautifully freckled leaves less generally known, to the latest Oaks and Aspens. What a memento such a book would be! You would need only to turn over its leaves to take a ramble through the autumn woods whenever you pleased. Or if I could preserve the leaves themselves, unfaded, it would be better still. I have made but little progress toward such a book, but I have endeavored, instead, to describe all these bright tints in the order in which they present themselves. The following are some extracts from my notes.

https://archive.vcu.edu/english/engweb/transcendentalism/authors/thoreau/autumnal.html