Monument to Victor Emmanuel II
Rome Italy
2016

Winged Victory on naval ram by Edoardo Rubino.

https://en.wikipedia.org/wiki/Santa_Maria_di_Loreto,_Rome

Santa Maria di Loreto is a 16th-century church in Rome, central Italy, located just across the street from the Trajan's Column, near the giant Monument of Vittorio Emanuele II.

After the Jubilee of 1500, the association of bakers (Sodalizio dei Fornai) received permission from Pope Alexander VI to build a church at this site. Construction of this church began in 1507 under Donato Bramante, carried out by Andrea Sansuini and completed by Antonio da Sangallo the younger. The design called for a square first story and an octagonal second story built in travertine and brick. It was one of the earliest domed square churches built on classical forms. Sangallo's facade is a maturer, more ornate version of the facade of the Palazzo Baldassini.

A second dome and lantern were added by Jacopo del Duca around 1575.

The church was built atop an earlier 15th century chapel, which contained an icon of the Virgin of Loreto, hence the church retained the icon and acquired the title. It is most notable for the adjacent erection of a similarly domed, but pale marble, 18th-century church Santissimo Nome di Maria al Foro Traiano, giving the semblance of twin churches.

Grand marble neoclassical temple honoring Italy's first king & First World War soldiers.

The Piazza Venezia square has the white and colossal monument of Vittorio Emanuele II, also known as the Altara della Patria (altar of the fatherland), the typewriter and the Wedding Cake building of Rome.

https://en.wikipedia.org/wiki/Victor_Emmanuel_II_Monument

The Victor Emmanuel II National Monument, also known as Vittoriano or Altare della Patria (Altar of the Fatherland), is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi.

From an architectural perspective, it was conceived as a modern forum, an agora on three levels connected by stairways and dominated by a portico characterized by a colonnade. The complex process of national unity and liberation from foreign domination carried out by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, has a great symbolic and representative value, being architecturally and artistically centred on the Italian unification—for this reason the Vittoriano is considered one of the national symbols of Italy.