Octagonal Court
Pio Clementine Museum
Vatican City
Rome Italy
2016

The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet.


Octagonal Court
The Octagonal Court used to be known as the Cortile delle Statue. It was home to the first nucleus of antique classical statues in the pontifical collections when Pope Julius II della Rovere (1503-1513) displayed an extraordinary collection of antique sculpture here, aimed at bringing once again to life the Rome of the Caesars in the Rome of the Popes. During the late 1700s, when two Popes, Clement XIV and Pius VI, decided to transform the collection in a purpose-built museum, the Court was included in the new museum project and became its fulcrum. And although there have been many changes which have been made over the centuries, some of the sculptures on display, such as the Laocoön and the Belvedere Apollo, are in the places they have held since the early 1500s.


Pio Clementino Museum
The nucleus of the pontifical collections of classical sculpture dates back to the original collection of pope Julius II (1503-1513) which was housed in the Cortile delle Statue (today the Octagonal Court). During the second half of the 18th century the pontifical collections were enormously expanded both as a result of excavations being carried out in Rome and Lazio, and by donations from collectors and antiquaries. The influence of Enlightenment thinking resulted in the inauguration of a museum in the modern sense, open to the public and explicitly charged with the task of safeguarding antique works of art, and promoting the study and understanding of them. The Museum is called Pio Clementino after the two popes who oversaw its foundation, Clement XIV Ganganelli (1769-1774) and Pius VI Braschi (1775-1799). The museum fills several large exhibition halls which were obtained by adapting pre-existing rooms with new constructions both within and adjacent to the small Belvedere Palace of Innocent VIII (1484-92). Antique sculpture was brought here and ancient roman pieces have often had their missing parts completely restored. The neo-classical architecture was realised under the direction of Alessandro Dori, Michelangelo Simonetti, and Giuseppe Camporese and embellished by the work of a large number of painters and decorators.
With the Treaty of Tolentino (1797) the Papal States were forced to give up the principal masterpieces in the Museum to Napoleon and they were transported to Paris. Much later, following the defeat of Napoleon and the Congress of Vienna (1815), and thanks to the diplomatic efforts of Antonio Canova, the greater part of the works were recovered.